I like to say post-production begins in pre-production. You want to know where you’re going in order to get there. If I’ve got a GPS and I’ve got no destination, I’m just going to sit there staring at my place on the map. And then you got to think about how you’re going to get there. Later, once Elphaba and Glinda are in Oz, the Wizard shows them his vision of the city, including a long winding road.
He’s very strong in how he feels, but he hears. When I started that film, Marty and Harvey were not speaking and I was the go between. That was fascinating and not the most pleasant. Harvey pushed and pushed and pushed and Marty pushed back. Today, though, it’s understood that film should not be compared to reality, whether it is to measure the gap between reality and depiction, or to measure the accuracy of the depiction. Instead, we should look at how movie and reality are related to each other, how they are interlinked.
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In fact, Heinemann’s never seen a dime from the iconic game. “For me, the most important question was always what matters the most to you? Is it filmmaking or is it freedom, integrity, self-respect, dignity? And I think it’s the latter,” Rasoulof said. “I want freedom. I don’t want to make films at any costs. I don’t want to make films that comply with censorship.” It was also thanks to people he met in prison that Rasoulof was ultimate able to leave the country. They told him of safe routes he could take out of Iran. “The path to freedom passed through prison,” he said.
I took the film to Boulder, and together we discovered there was a rich abundance of things to say. I have a great appreciation for films (especially ones made outside the USA), and for years I have taught both individual movies and general tips on how to “read” a film for that deeper meaning. While this article doesn’t tell you everything, I hope the 10-step process below will forever enhance the way you see and understand film. “Gangs of New York” had a famously troubled post-production period.
They will not use the same terms, and by no means do I imply they would agree with me; I am summarizing my own beliefs, based on hundreds of shot-by-shot experiences over the years. But they are scrutinizing films with the same intense curiosity, and that’s the real point. Consider Bordwell, whose great book on Ozu uses many panels of individual frames to illuminate movie quiz a director who virtually never moved his camera, and yet whose compositions are alive with visual strategy.
How are you marketing to the right audience in the right way? I think Focus has been brilliant in their approach with “Conclave,” how they started and how they’ve been. I thought the second trailer was even better. They’ve got dozens and dozens of character pieces that are going out, all over the place.
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Manon de Reeper is the founder and CEO of Film Inquiry, and a screenwriter/producer. Her directorial debut, a horror short film, is forthcoming in 2021. Though there have been attempts to designate film as either a language or language system and later a rhetoric or grammar, both attempts are inconclusive. Perhaps the application of linguistic terms in the study of film is misguided, as the terminology is already debated within its original context. It would seem that the medium of film, while containing similarities to language, is too complicated to fit neatly into the parameters that would earn its distinction as such.
The beloved story of “Wicked” has just made its debut on the big screen, and fans of the onstage musical might notice some changes. Become a Member and support film journalism. Unlock access to all of Film Inquiry`s great articles. Join a community of like-minded readers who are passionate about cinema – get access to our private members Network, give back to independent filmmakers, and more. On the one hand, film often reflects how people think about, for instance, political, social or even economic issues.
Step 2: Identify the Protagonist’s Quest & Character Arc
Delve into the devices used to create meaning in film as you gain a deeper understanding of what we see on screen. This workshop focused on Jean Vigo’s 1933 film, Zero for Conduct (Zéro de conduit). The program also included another film by Vigo, À Propos de Nice.
A Japanese film at Boulder turned up Japanese speakers, experts on the society, students of the director. There would be somebody who could tell you what a Ford truck could and couldn’t do. Or a rabbi, a physicist, an artist, a musician. How to talk for two hours about the visuals of a film where every scene is a single static shot?
Are there any point-of-view shots—shots in which the audience sees things from the point of view of a particular character? Are there any panning shots in which the camera moves across the screen to reveal information slowly? Pay attention to camera angles and movement when watching a film and discuss them when writing on film. They contribute to the ways in which information and the overall mood of a film are communicated. What a fascinating front-row seat to have.I was Oliver Stone’s post-producer on “Any Given Sunday” and the producer, Clayton Townsend, had left the film at that point.
By K.J. GenualdoMA Cinema Studies w/ Film Theory concentrationK.J. Genualdo is a Brooklyn-based writer interested in critical theory and cultural analysis. Works as a journalist for various publications focused on film and music and a contributing writer for several satire websites.